Document printed Sat 22 Dec IRCAM. 1 / Pierre Boulez explosante-fixe Explosante Fixe – Cologne SWR + Emmanuel Pahud. Pierre Boulez explosante-fixe, for flute, chamber ensemble & electronics ( various versions). Composition Information ↓; Description ↓; Appears On ↓. Though he may well disapprove of the designation, in explosante-fixe Pierre Boulez has written one of the great flute concertos of this or any.
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explosante-fixe – Wikipedia
Initially conceived in as a memorial for Igor Stravinskywho died in April of that year, Boulez composed several different versions of the work between andculminating in a piece for solo MIDI – explosant-fixe and chamber orchestra. Review This Title Share on Facebook. Share on facebook twitter tumblr. Chris L March 23, In order to gain access to said sensual impressionist, I guess he first had to shrug off the straitjacket that by his own admission on at least one occasion his earlier insistence on dodecaphony-at-all-costs had forced him into.
This is a brilliantly engineered recording, and my only regret is that it wasn’t possible to present it as a sequence of tracks cued to a fuller commentary in the notes. Explosznte-fixe made an initial first written-out version in That, so to speak, is the fixed dimension of …explosante-fixe….
Genre Orchestral Classical Chamber Music. No less engaging are the performances of Notations and Structures, Livre 2, the former revealing the very early Boulez’s debts to Debussy, Stravinsky and Bartok, the latter displaying the full, formidable power of his still-youthful originality.
Jazz Latin New Age. In all, there are four different versions for the flute, three versions each for the viola and cello, two versions each for the trumpet, violin, and clarinet, but only one version each for the vibraphone and harp, which differ from one version exploswnte-fixe the next only in the ordering of their constituent parts.
Related Posted on March 22, by 5: He has never lacked explosznte-fixe ideas: This is a superb disc. There are instructions given for going from one fragment to another, elaborating the form, and so on.
The first version of …explosante-fixe… — was a one-page aleatoric work in seven parts entitled, according to one report, Originel and Transitoires II-VII though the manuscript score published as two pages of music and twelve pages of instructions bears the title in the composer’s hand [… Explosante-fixe …]and the indications “Originel” and “Transitoires II—VII” are the names of the groups into which the work is divided.
In fact, the seven-note cell underlying Pierre Boulez has written one of the great flute concertos of this or any other century. Featured Popular Ensembles Academy of St. The seven-note cell underlying the score ensures a degree of harmonic coherence, and this is apparent from close listening. Analyse et pratique musicales 4, no.
Archived from the original on Though he may well disapprove of the designation, in Sexy Trippy All Moods. Next work 12 Notations Pierre Boulez 12 Notations. Boulez demured the request was for canonic works, which he found both a strange and unappealing ideabut it began a thought process that would lead to the first incarnation, inof a work for three instruments titled …explosante-fixe….
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Retrieved from ” https: Sorry, your blog cannot share posts by email. Boulez, however, was ultimately unsatisfied with the electronics. In order to gain access to said sensual impressionist, I guess he first had to shrug off the straitjacket that by his own admission on at least one occasion his earlier insistence on dodecaphony-at-all-costs had forced him into.
Stravinsky himself gave a comparable example when he wrote the Symphonies of Wind Instruments in memory of Debussy, since these wind symphonies truly are extremely different from Debussy in their tone colour, form and musical ideas.
It shares a relish for regular rhythmic patterns with other later works Messagesquisse, Reponsbut its primary concern is with the possibility of enhancing natural sound by electronic means.
In the two subsequent years, Boulez developed …explosante-fixe… explowante-fixe a work for solo flute, accompanied by clarinettrumpetharpvibraphoneviolinviolacello and electronics.
Pierre Boulez: … explosante-fixe …
I have read the data protection statement and agree to its validity. A Historical Perspective”, in Auditory Display: Whether the latter-day Boulez is, accordingly, more of a follower than a leader a list of composers who have exploited this ambiguity in similar ways over the decades — or centuries?! Twitter Tweets by 5against4. Performances at that time were not completely successful, due primarily to the instability of the halaphone, the electronic element developed by German engineer Hans-Peter Haller.
As one might expect from a piece explosabte-fixe the flute, the music is bright. The amplification of the soloist ensures that it will be heard even when the ensemble is playing full out.
The energy and sensitivity of the works it contains puts a great deal of other contemporary music deeply into the shade, and performances and recordings are equal to the music’s stature. A Garland for Dr. Cambridge University Press, All works from ” Boulez put the piece aside to work on other projects, but the music was never far from his mind. At the same time, the instruments were to mutually influence one another, thus undermining the register boundaries.
However, since I did not alter the substance, it can also be performed in this version without electronics … it is a very quiet, restrained work … it now forms the final section of … explosante-fixe ….